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Joined 1 year ago
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Cake day: June 15th, 2023

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  • I am not a dog lover. I find them needy, melodramatic and hierarchical: some of the features that I try to avoid in humans.

    I work in an office around one day a week which often has more dogs than humans - since one of the regular staff has two dogs. In general, however, they aren’t much of a problem. One frequently nudges people’s elbows to get attention and howls whenever a phone rings. Another gets in the way of the door an awful lot - resulting in the owner installing a child gate at an inner doorway, and another has been traumatised in the past and needs to be taken out whenever a fire alarm test is due. However, this is not more that the needs and quirks of other people, really, and is fairly easy to work around.

    I am glad that I do not have to work in that office all the time, but overall it is not a big deal.



  • you also haven’t addressed my reasons for doubt.

    A) When did you ask me to?

    B) By pointing out the cost/benefit to both sides, I would have said that I did anyway.

    However, if you would like me to go into more detail: this is a property that was not occupied by the PM or his family - Greenpeace have stated that they were aware of this. The ‘high security’ was evidently provided by the police - who would also have been aware of this. Even at the best of times, given a little advance planning, avoiding a routine police cordon - routine being the key word - is not exactly difficult.

    I struggle to see why Greenpeace would take the route that you are suggesting (a literal conspiracy theory) and decide to take the risk of losing credibility instead of doing as they have frequently, attestably, through court records, done and evade the existing security.






  • The entire cast begins to chant “You can’t dream if you don’t fall asleep” over and over again.

    It’s “You can’t wake up if you don’t fall asleep” surely?

    And that has a very different meaning.

    Personally, I saw the film - and a good deal of the rest of Anderson’s work as a study of the nature of authenticity: the contrast between authentic commitment to the path one has chosen in life (which most of the character demonstrate) and the existentialist authenticity that comes from the realisation that one could make completely different choices at each and every moment - which the compressed, expressionless delivery of most of the lines throws into sharp relief: it becomes so easy to see these characters as being trapped within their chosen roles.

    Of course, I am saying “chosen” here, when it seems clear that to Anderson, there is little choice: his characters and worlds are dominated by an external locus of control: they accept their roles - but authentically? Or in an abdication of authenticity?